Danish Walnut Collapsible Bar or Service Cart with Removable Trays, ca. 1960 Beautiful removable walnut bentwood veneer trays with solid walnut frame. Frame is hinged and easily folds down to just inches for storage. Trays are removable for service and can be used with or without the cart. Very good original condition with only slight wear. Often attributed to John Stuart (distributor) however the only markings on this piece are the embossed ‘Made in Denmark’ on underside of trays. All original, sourced from original owner who purchased in the early 60’s. Measures 30″ W x 16″ D x 27″ H
Charles Eames for Herman Miller 670/671 Lounge Chair and Ottoman, 1992. Beautiful Charles Eames Lounge chair with ottoman in desirable smooth black leather. Chair has beautiful cherry wood sculpted frame and black leather that has been professionally cleaned and polished. Slight wear to seat and ottoman, as expected from 1992. Fourth generation featuring long silver Herman Miller Label. Standard Chair:31½” H 33½” W 35″ D Ottoman:17¼” H 20¾” W 21½” D
Teak Credenza by EJM Skive, Denmark, ca. 1960. Beautiful storage piece with two sliding doors featuring adjustable shelving on the inside and hidden top drawers. Beautiful sculpted pulls on doors and solid teak wood legs. Doors slide smoothly and the piece has been refinished on the outer case (top and sides). Very good original condition. Measures 70.5″ W x 16″ D x 30″ H
Rare Walnut Tambour Door Credenza by Kurt Ostervig, ca. 1960. A very scarce walnut tambour door credenza with sculpted pulls and frame by Kurt Ostervig, Denmark. This beautiful credenza is made from solid walnut (legs and sculpted carved inner frame) and walnut veneer on the outside with adjustable drawers and shelves on the inside. The outer casing (top and sides) have been restored, the rest of the piece is left original and in very good original condition with only small imperfections as shown in the photos. This is a rare piece, hardly seen and a wonderful size of 59″ wide, perfect for smaller spaces or that hard to find piece for any decor. Measures 59″ W x 20″ D x 33″ H
Original Oil ‘Composition 175’ by Antonio Lorenzo, (1922-2009), Spain 1958. Beautiful original painting by Spanish Artist Antonio Lorenzo, acquired from the original owner’s estate in Southern California. Purchased at the Silvan Simone Gallery in Los Angeles in 1960, this original piece is signed on upper right, 1958. Thick heavy oil on canvas and a gorgeous abstract figurative subject matter titled ‘Composition 175’. Provenance attached. Antonio Lorenzo (Madrid, 1922 – 2009) A central figure in the avant-garde scene in Spain since his time at the School of Fine Arts of Madrid, he was also a member of the Cuenca Group , together with Antonio Saura (1930-1998), Gustavo Torner (1925), Fernando Zóbel (1924-1984), Gerardo Rueda (1926-1996) and Eusebio Sempere (1923-1985). He was called an “abstract landscapist” by Juan Manuel Bonet, because of his use of wide expanses of colour and his low horizon lines, where he concentrated the material and, as a result, the spectator’s attention. His otherwise abstract practice was sometimes dotted with symbolic references to human progress and worlds in which machines take over the space. Among his many influences are the painting of his teacher Vázquez Díaz (1882─1969), from whom he inherited his tendency towards abstraction, and his contact with Gerardo Rueda (1926─1996) and American painting. In fact, it was during a visit to Bernard Childs (1990─1985), in the 1960s, when he became fascinated with etching. He was to go on to become a virtuoso in etching techniques, in which he demonstrated enormous creativity and formal qualities, and this was the prime reason why he was appointed the artistic director of Grupo 15’s workshop in 1972. His work was shown in many individual and group exhibitions, both in Spain and abroad, with a particular mention for his participation at the Venice Biennale in 1964, 1966 and 1972, and at the World Fair in New York, in the Spanish and French pavilion. His works can be seen in major contemporary art museums, like the Reina Sofía in Madrid, the Museo de Arte Abstracto in Cuenca, the British Museum in London and the MoMA in New York.
Yngve Ekstrom For Dux ‘Ulvö’ Teak Credenza, ca. 1959. Beautiful teak and teak veneer with sculpted pulls and sliding doors with dovetail drawers in center. Wonderful teak grain and color, functional piece that offers lots of storage and adjustable shelving on the inside. Drawers slide with ease and doors are on gliding rails. The top and sides of this piece have been refinished, the remainder of the credenza has not and is original. In very good condition with only slight wear to the bottom of the legs as shown. Inner top drawer has dividers for organization. Measures 71″ W x 18.5″ D x 31″ H
Robert Kuo for McGuire 24K Hammered Gold Plated ‘Cocoon’ Table Lamp, ca. 2000. Beautiful hand hammered copper body with 24K Gold Plate, Repoussé. This rare and highly desirable lamp offers the original linen shade with dual light bulb sockets and gold chain pulls. Also retains the original 24K gold plated finial. Substantial lamp that measures 28″ height overall with shade. Shade dimensions are 13″ H x 26 ” W
Body dimensions are 18″ W x 10″ D
Vintage Flat Weave Wool Kilim Rug, ca. 1970 Beautiful hand dyed jewel toned colors in this handwoven flat weave Kilim rug with edge tassels. Excellent vintage condition with only slight wear to edges, no holes in the rug itself, just slight wear to edging as shown. Beautiful rug for almost any area of your home that will bring some great warmth and color. Measures 58″ x 93″ (Approx 6×8)
Pair of Vintage Brown Jordan Sand or Pool Chairs, ca. 1960. Professionally restored with new black powder coat and black strapping with new floor protectors. Hard to find, these low sun chairs are perfect for your outdoor patio or pool area. Showroom condition, professionally restored. Sold as a pair. Measure 26″ W x 24″ D x 8″ Seat Height x 23″ Back Height