Eames soft pad management chair in black leather. New production, never been used. We have two available with hydraulic controls. Soft black leather with black base and casters. Measure: 33.75″ H 23″ W 17.75″ D Seat Height (in): 22.25.
Charles Eames soft pad management chair in tan leather. Original with tags from 2003. Beautiful warm tan leather with just the right amount of break in. Aluminum frame with casters and adjustable tilt. Manual adjustments. Beautiful chair for your home office in very good original condition with only slight wear as shown. Measures: Height 32 in. Width 23 in. Depth 25 in. Seat height 20 in
Rosewood and chrome rolling dry bar or cabinet by Leif Jacobsen, circa 1970. Beautiful grained rosewood with polished chrome hardware and casters. Could be used as a dry bar as well as for clothing/storage as a cabinet. Very good original condition with only slight wear. Rare piece with exceptional craftsmanship. The rosewood interior shows a rich grain with the original shelving and drawers. Inner shelving is fixed, not adjustable. Can provide interior dimensions if needed, but tall enough for bottles or glasses less than 11″ High.
Leif Jacobsen was born in Denmark but his family came to Canada when he was still an infant. In 1952 he opened an eponymous custom millwork firm. The company was subcontracted to complete work for American firms Knoll International and Herman Miller, but soon moved into designing its own furnishings under the direction of Danish-trained cabinetmaker Svend Neilsen. Leif Jacobsen made furnishings for major retailers of the day, including Walter Nugent Designs, Nienkämper, and Metalsmiths. They were also known for their high-end custom office furnishings: a suite could cost upwards of $20,000 in the 1960s. (Gotlieb & Golden, p. 243) The firm’s luxurious rosewood credenza shows why prices were so high. The workmanship is impeccable and the style timeless.
Measures: 42″ W x 19″ D x 46.5″ H.
Travertine and sculpted walnut dining or bistro table by Brown Saltman, circa 1970. Beautiful sculpted walnut pedestal base with Italian travertine top in very good condition. Two very small ‘flea bites’ on the edge of the travertine, otherwise excellent. Could be used as a game table or entry table as well. Measures: 36″ diameter and 26″ high.
Niels Moller model 78 teak dining chairs, set of 4, circa 1960. Probably the most desirable of the Moller styles, this is model 78 dining chair with sculpted teak frame and beautiful curved backrest. Seats are covered in a beautiful oatmeal tweed. Sold as a set of 4. Very good original condition with only slight wear. Measure: 19″ W x 19″ D x 32″ back height x 18″ seat height.
First generation Eames rosewood 670 lounge chair and 671 ottoman by Herman Miller, circa 1955. Professionally recovered in beautiful olive green leather with new down cushions. Rosewood has been professionally refinished. Shock mounts are very good, were replaced at some point during its lifespan. Bases are free of rust and show very little wear. First generation Herman Miller round silver label with remnants of the original paper label on the chair. 3 screws to the underside of the armrest also signify this is a first generation chair. Rare and in beautiful restored condition, would be a collectors dream.
Chair measures: H 32 in. x W 33 in. x D 33 in. seat height is 16.5″ H
Ottoman measures: 25.50 W x 22.50 D and 16.50″ H.
Bert England Walnut, Cane, Brass and Travertine Credenza, ca. 1955. One of the most beautiful pieces you will ever see with exceptional craftsmanship and design, this beautiful walnut credenza checks all the boxes. Made of solid walnut with cane inlay on brass edged top, inlayed brass between the beautiful faux travertine lacquered front and additional brass inlay on the sides in walnut. Finished on the reverse as well. This exceptional piece has accordion doors with adjustable shelving and two inner drawers on the inside. Truly a one of a kind piece. Walnut has been professionally restored in perfect vintage condition. Measures 78″ W x 18″ D x 33.5″ H
Chrome, brass and smoked glass coffee table by Romeo Rega, circa 1970. Original glass in good condition with age appropriate wear. Chrome and brass have been left original with patina, however easily buffed shiny if desired. Measures 40″ W x 20″ D x 16.5″ H.
Pair of Lisa Johansson-Pape table lamps, circa 1960. Beautiful white opaque blown glass made in Italy. Both are in very good vintage condition with no chips or cracks and porcelain sockets have been replaced. Measures: 12″ height x 8″ diameter at widest.
Pair of ebonized mahogany brass cabinets. Beautiful solid construction, they have been professionally restored in very good condition. Could also be used as larger nightstands. Measure 42″ W x 17″ D x 30″ H.
Herbert Hirche Bauhaus style teak, rosewood and steel floating top executive desk, circa 1950. Rare floating top desk with solid steel frame, teak body with brass and rosewood accents. Desk has an adjustable and removable return, with original floating trays inside. Superior construction and attention to detail with dovetail drawers, adjustable feet and floating frame. Bookcase on the receiving side for additional storage. Can be used with or without the adjustable return. Professionally restored wood, frame is original with very slight wear as shown. Adjustable feet for leveling.
Main desk measures 60″ W x 30″ D x 28.5″ H
Adjustable return expands from 26″-52″ L x 15.75″ W x 26″ H
Herbert Hirche was one of Germany’s most prominent architects and designers in the 1950s and 1960s. After completing an apprenticeship as a cabinetmaker, he studied at the Bauhaus in Dessau and in Berlin, where, among others, Kandinsky and Mies van der Rohe were his teachers. After graduating, he worked in van der Rohe’s studio in Berlin. He also collaborated with Egon Eiermann and Hans Scharoun. In 1948, he was appointed Professor of Applied Arts at the Berlin Weissensee School of Art and, later, at the Stuttgart State Academy of Art and Design. Alongside his teaching, Hirche always worked as a freelance architect and designer, significantly shaping the development of product design in postwar Germany. He was a member of the German Werkbund, of the Association of German Industrial Designers (VDI) and of the German Design Council (Rat für Formgebung). His work is defined by functionality and by harmonious proportions in the style of the Bauhaus teaching, which naturally blend with their environment.
Metal sunburst wall sculpture, circa 1970. Brutalist style, torch cut discs on wire rods. Brass has original patina. Measures: 34″ H x 29″ W x 6″ D.
Set of 12 vintage brass and enamel cabinet hardware, circa 1965. Beautiful brass with enameled interior. Measures: 4.25″ L and mounting holes are 3.5″ on center. Original screws included.
Rosewood and chrome 9-drawer dresser by Leif Jacobsen, circa 1970. Rare rosewood and chrome 9-drawer dresser or credenza by Danish cabinetmaker Leif Jacobsen, circa 1970. Exceptional craftsmanship and rosewood grain, this dresser is in original condition with only very slight wear as shown. Cabinet hardware is original and very solid. The grain on this piece is exceptional and overall is very heavy, quality construction.
Measures 75.5″ W x 19″ D x 28″ H
Leif Jacobsen was born in Denmark but his family came to Canada when he was still an infant. In 1952 he opened an eponymous custom millwork firm. The company was subcontracted to complete work for American firms Knoll International and Herman Miller, but soon moved into designing its own furnishings under the direction of Danish-trained cabinetmaker Svend Neilsen. Leif Jacobsen made furnishings for major retailers of the day, including Walter Nugent Designs, Nienkämper, and Metalsmiths. They were also known for their high-end custom office furnishings: a suite could cost upwards of $20,000 in the 1960s. (Gotlieb & Golden, p. 243) The firm’s luxurious rosewood credenza shows why prices were so high. The workmanship is impeccable and the style timeless.
Hal Bienenfeld decorative op art wall mirror, circa 1970. Excellent original condition, signed on reverse this beautiful large mirror is wired to hang at the diagonal, however it can be adjusted to hang square as well. No broken pieces, all mirrors are intact with chrome frame. Measures: 36.5″ square x 1″ deep.