Original Oil ‘Composition 175’ by Antonio Lorenzo, (1922-2009), Spain 1958. Beautiful original painting by Spanish Artist Antonio Lorenzo, acquired from the original owner’s estate in Southern California. Purchased at the Silvan Simone Gallery in Los Angeles in 1960, this original piece is signed on upper right, 1958. Thick heavy oil on canvas and a gorgeous abstract figurative subject matter titled ‘Composition 175’. Provenance attached. Antonio Lorenzo (Madrid, 1922 – 2009) A central figure in the avant-garde scene in Spain since his time at the School of Fine Arts of Madrid, he was also a member of the Cuenca Group , together with Antonio Saura (1930-1998), Gustavo Torner (1925), Fernando Zóbel (1924-1984), Gerardo Rueda (1926-1996) and Eusebio Sempere (1923-1985). He was called an “abstract landscapist” by Juan Manuel Bonet, because of his use of wide expanses of colour and his low horizon lines, where he concentrated the material and, as a result, the spectator’s attention. His otherwise abstract practice was sometimes dotted with symbolic references to human progress and worlds in which machines take over the space. Among his many influences are the painting of his teacher Vázquez Díaz (1882─1969), from whom he inherited his tendency towards abstraction, and his contact with Gerardo Rueda (1926─1996) and American painting. In fact, it was during a visit to Bernard Childs (1990─1985), in the 1960s, when he became fascinated with etching. He was to go on to become a virtuoso in etching techniques, in which he demonstrated enormous creativity and formal qualities, and this was the prime reason why he was appointed the artistic director of Grupo 15’s workshop in 1972. His work was shown in many individual and group exhibitions, both in Spain and abroad, with a particular mention for his participation at the Venice Biennale in 1964, 1966 and 1972, and at the World Fair in New York, in the Spanish and French pavilion. His works can be seen in major contemporary art museums, like the Reina Sofía in Madrid, the Museo de Arte Abstracto in Cuenca, the British Museum in London and the MoMA in New York.
Yngve Ekstrom For Dux ‘Ulvö’ Teak Credenza, ca. 1959. Beautiful teak and teak veneer with sculpted pulls and sliding doors with dovetail drawers in center. Wonderful teak grain and color, functional piece that offers lots of storage and adjustable shelving on the inside. Drawers slide with ease and doors are on gliding rails. The top and sides of this piece have been refinished, the remainder of the credenza has not and is original. In very good condition with only slight wear to the bottom of the legs as shown. Inner top drawer has dividers for organization. Measures 71″ W x 18.5″ D x 31″ H
Robert Kuo for McGuire 24K Hammered Gold Plated ‘Cocoon’ Table Lamp, ca. 2000. Beautiful hand hammered copper body with 24K Gold Plate, Repoussé. This rare and highly desirable lamp offers the original linen shade with dual light bulb sockets and gold chain pulls. Also retains the original 24K gold plated finial. Substantial lamp that measures 28″ height overall with shade. Shade dimensions are 13″ H x 26 ” W
Body dimensions are 18″ W x 10″ D
California Impressionist Oil Painting by Frederick Milton Rash, (1919-1998). Original oil on canvas with original frame. This beautiful painting is an original by the Laguna Beach artist and was acquired from the original owners collection. Signed lower left and in good vintage condition. The impressionist oil depicts a warm hillside in California, where the artist lived for the majority of his lifetime with a studio in Laguna Beach. Measures 31″ W x 25″ H x 1″ D Frederick Milton Rash was born in Indianapolis, Indiana on August 30, 1919. After returning from WWII, Rash went to work for Howard Hughes working on art renderings for the “Spruce Goose” and other projects. He then established a studio-home in Laguna Beach and did restoration for the Los Angeles County Museum of Art. He won awards while a member of the California Art Club and was cover artist for Orange County Executive magazine for many years. Rash retired to Florida and died in Lake Mary on October 29, 1998. Working in oil and watercolor, he painted landscapes, still lives, seascapes, and portraits.
Vintage Flat Weave Wool Kilim Rug, ca. 1970 Beautiful hand dyed jewel toned colors in this handwoven flat weave Kilim rug with edge tassels. Excellent vintage condition with only slight wear to edges, no holes in the rug itself, just slight wear to edging as shown. Beautiful rug for almost any area of your home that will bring some great warmth and color. Measures 58″ x 93″ (Approx 6×8)
Bespoke Bentwood Clock by Randy Bader, Laguna Beach, CA . Handcrafted in his Laguna Beach Studio, this beautiful handmade clock features a second hand on top with hour and minute hands on the bottom. Randy attended Cal State University Fullerton where he received his BA in art. Then went back to CSUF (after doing some globetrotting) to receive his Masters in art in 1980. Measures 25″ H x 11″ Wide at widest point
Pair of Vintage Brown Jordan Sand or Pool Chairs, ca. 1960. Professionally restored with new black powder coat and black strapping with new floor protectors. Hard to find, these low sun chairs are perfect for your outdoor patio or pool area. Showroom condition, professionally restored. Sold as a pair. Measure 26″ W x 24″ D x 8″ Seat Height x 23″ Back Height
Vintage Allan Gould Style X Chairs with Ottomans, ca. 1970. Original iron frames in a playful and fun salmon pink color with original nylon strapping. Very comfortable, the strapping has no breaks or tears. Frames are in good condition, have some patina and wear, but still have many years of life left. Set includes pair of chars and matching ottomans. Measure 31″ W x 21″ D x 28″ Back Height x 16″ Seat Height Ottomans measure 31″ W x 21″ D x 16″ H
California Studio Ceramic Glazed Vessel by Bruce Tomkinson 1934-2022, ca. 1970. Beautiful representation of his work, this glazed vessel with hand carved design is substantial, measuring 19″ Tall and 8″ Diameter at the top. Perfect vintage condition, this is a great piece for your collection. His works are becoming harder to find. Bruce spent his years after college pursuing his passion of crafting and teaching ceramics, eventually working as a professor for Santa Monica City College, from 1969 up until 2012. Known for his rustic style influenced by his world travels, he would become particularly inspired while on sabbatical by the torii gates of Japan, representing a transition from the mundane to the sacred. He incorporated this sentiment, using classical or utilitarian forms, juxtaposed by freeform sculptural and animalia elements. Moving to Ojai in the 1990s, he was a longtime member of the Ojai Studio Artists and the Ventura County Potters’ Guild. An ardent supporter of the arts, Bruce often donated his work to local charity auctions and continued to teach as professor emeritus well into his seventies. Measures 19″ H x 8″ Diameter